A place on the street, selling "Tacos", a very known Mexican snack.
In Argos lived Inachus' most famous daughter Io, a beautiful girl who became a priestess of Hera and attracted the amorous attention of Zeus himself. Zeus lay with her, but Hera, seeing them in each others arms, flew into a rage with Io and turned her into a cow. Then she tied the cow to an olive-tree in the sacred grove of Mycenae and set Argus the All-seeing, of the line of Phoroneus - a beast with eyes all over his body and tremendous strength - to keep watch on it. But Zeus set Hermes to steal Io, which he did by lulling Argus to sleep with the music of his pipes. But no sooner was this done than Hera sent a gadfly to persecute the unfortunate Io whom it caused to run madly from one country to another. After crossing the Ionian sea, Io wandered through Illyria, Aenus, the Bosporus (= "ox-crossing" ), the Crimea and Asia, coming ultimately to Egypt and resuming human form. There she maried king Telegonus and, after her death, was worshipped as a goddess under the name Isis.
copyright, 2002: Dr. Hugo H. van der Molen; http://www.scripophily.nl
Teotihuacán is one of the major tourist attractions in Mexico City – a place that’s full of attractions. I urge you to go. It’s easy to get to. There are decent eating places out there and lots to see and do. There’s a museum and a cultural center and plenty of places to buy souvenirs. And if you’re feeling energetic, try the climb up to the top of either pyramid. At the very summit of the Pyramid of the Sun there’s a metal spike sticking up an inch or so out of the stone. Do what everyone did when we were up there - hold on to it and let the Pyramid’s energy flow into your body.
If you go with an experienced guide, one who knows his or her stuff, there’s lots to learn and see and think about. But if you just want to visit and take in the ambiance of one of the world’s great archaeological sites, then Teotihuacan is still enjoyable and rewarding.
Teotihuacan arose as a new religious center in the Mexican Highland, around the time of Christ. Although its incipient period (the first two centuries B.C.) is poorly understood, archaeological data show that the next two centuries (Tzacualli to Miccaotli phases; A.D. 1-200) were characterized by monumental construction, during which Teotihuacan quickly became the largest and most populous urban center in the New World. By this time, the city already appears to have expanded to approximately 20 square km, with about 60,000 to 80,000 inhabitants (Millon 1981:221). The development of the city seems to have involved inter-site population movements, exploitation of natural resources, an increase in agricultural production, technological inventions, establishment of trading systems and other kinds of socio-political organizations, and attractive belief systems. By the fourth century, unmistakable influences of Teotihuacan were felt throughout most parts of Mesoamerica. Teotihuacan was the sixth largest city in the world during its period of greatest prosperity, according to an estimated population of 125,000 (Millon 1993:33). The city seems to have functioned for centuries as a well-developed urban center until its rather sudden collapse, possibly in the seventh century. The place was called Teotihuacan by Nahuatl speakers several centuries after the city's fall, but its original name, the language or languages spoken there, and the ethnic groups who built the city are still unknown.
Saburo Sugiyama: Arizona State University, Dept. of Anthropology, Tempe, AZ 85287 ©Copyright 1996 Project Temple of Quetzalcoatl, Instituto Nacional de Antropología e Historia, Mexico/ ASU
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Metrobus and light traffic in Insurgentes Ave., this street one of the longest of the world, crosses the city North to South or viceversa. (El Metrobus y algo de trafico en Av. Insurgentes, una de las mas grandes del mundo, atraviesa la ciudad casi en su totalidad de Norte a Sur o viceversa).
Work by Mexican architect, Agustin Hernandez.
La imaginacion produce formas y cosas desconocidas. El Poeta diseña y da nombre y habitacion a cosas que parecen surgir de la nada.