The Magic of the Cities.
Zen promotes the rediscovery of the obvious, which is so often lost in its familiarity and simplicity. It sees the miraculous in the common and magic in our everyday surroundings. When we are not rushed, and our minds are unclouded by conceptualizations, a veil will sometimes drop, introducing the viewer to a world unseen since childhood. ~John Greer
You don't take a photograph, you make it. ~Ansel Adams
The Earth Has Music For Those Who Listen.
"I still find each day to short for all the thoughts I want to think, all the walks I want to take, all the books I want to read and all the friends I want to see"
~ John Burroughs
Tulum (Yucatec: is the site of a Pre-Columbian Maya walled city serving as a major port for Cobá. The ruins are located on 12-meter (39 ft) cliffs, along the east coast of the Yucatán Peninsula on the Caribbean Sea in the state of Quintana Roo, Mexico. Tulum was at its height between the 13th-15th centuries and managed to survive about 70 years after the Spanish began occupying Mexico. Old World diseases brought by the Spanish settlers appear to have been the cause of its demise. One of the best-preserved coastal Maya sites.
Main temple at Tulum has architecture typical of Maya sites on the east coast of the Yucatan Peninsula. This architecture is recognized by a step running around the base of the building which sits on a low substructure. Doorways of this type are usually narrow with columns used as support if the building is big enough. As the walls flare out there are usually two sets of molding near the top. The room usually contains one or two small windows with an altar at the back wall, roofed by either a beam-and-rubble ceiling or being vaulted. This type of architecture resembles that done at the nearby Chichen Itza, just on a much smaller scale.
Tulum was protected on one side by steep sea cliffs and on the landward side by a wall that averaged about three to 5 meters (16 ft) in height. The wall also was about 8 m (26 ft) thick and 400 m (1,300 ft) long on the side parallel to the sea. The part of the wall that ran the width of the site was slightly shorter and only about 170 meters (560 ft) on both sides. This massive wall would have taken an enormous amount of energy and time, which shows how important defense was to the Maya when they constructed the site here. On the southwest and northwest corners there are small structures that have been identified as watch towers, showing again how well defended the city would have been. There are five narrow gateways in the wall with two each on the north and south sides and one on the west. Near the northern side of the wall a small cenote would have provided the city with fresh water. It is this impressive wall that makes Tulum one the most well-known fortified sites of the Maya. [Wiki]
|Tetitlan (between Acapulco and Ixtapa), a fishermen's village.|
|Latin American Tower|
|Mariachis in Cuernavaca|
Mariachi is a genre of music that originated in the State of Jalisco, in Western Mexico. It is an integration of stringed instruments highly influenced by the cultural impacts of the historical development of Western Mexico. Throughout the history of mariachi, musicians have experimented with brass, wind, and percussion instruments. In addition, sociohistorical factors have influenced the repertoire in terms of the performance of diverse regional song forms as well as the evolution of the performance attire. Mariachi is important to the study of Mexican music because, as an ensemble created during the colonial period, it found its essence during the postcolonial era, blossomed during the nationalist era, and made a global impact during contemporary times. Throughout this development, particularly since the nationalist era, mariachi music has become emblematic of Mexican music by appropriating various Mexican regional song forms.
The term "Mariachi" is said to be an adaptation of the French word for marriage or wedding "mariage" as this type of musical formation used to play at such events.
Although mariachis are hired to play at events such as weddings and other formal occasions, such as a quinceañera (a girl's fifteenth birthday celebration), they are very often used to serenade women because many of the songs in a typical repertoire have as a theme the desire to touch the heart of a woman. Trios of mariachis can be found for hire in different places at night (the best known venues are Plaza de los Mariachis in Guadalajara and Plaza Garibaldi in Mexico City) for the purposes of serenading. Hiring prices can vary immensely and are normally not cheap.
Robert Brady Museum. Cuernavaca
In the shadow of the Cathedral of Cuernavaca the Casa de la Torre houses a unique collection of fine and decorative arts from all over the world. The visitor will enjoy a house-museum created in a portion of a massive adobe and stone XVI century Franciscan Monastery.
|Clandestine Restaurant (Mexico City)|
Workshops, Music, Books, Bazaar, Theater, Puppets
Il Caffè Florian
Opened in 1720 in Piazza San Marco in Venice, Caffè Florian is Italy’s oldest Café. While seated in one of the café’s frescoed rooms or outside listening to the orchestra in the Piazza, one can enjoy impeccable service and products of the finest quality.
Famous for its rich history as a crossroads of art, culture, politics and entertainment, today the Florian is also known for its elegant trademark products: coffee, teas, chocolates, cookies, porcelains, and design objects. The Florian Gourmet, Lifestyle and Design collections are available for sale at exclusive trademark boutiques and online at www.caffeflorian.com
The church of San Simeone Piccolo (also called San Simeone e Giuda) is a noted landmark in the Sestiere of Santa Croce of Venice. In part, it is memorable, because from across the Grand Canal it faces the railroad terminal serving as entrypoint for most visitors to the city.
Built during the years 1718-38 by Giovanni Antonio Scalfarotto (1690-1764); this church shows the emerging eclecticism of neoclassical architecture. It accumulates academic architectural quotations, much like the contemporaneous Karlskirche in Vienna.
Ponti degli Scalzi
The Ponte degli Scalzi (or Ponte dei Scalzi), literally, "Bridge of The Barefoot", is one of only four bridges in Venice to span The Grand Canal.
The bridge connects the Sestieri of Santa Croce and Cannaregio. On the north side, Cannaregio, are the Chiesa degli Scalzi (Church of The Barefoot) and the Santa Lucia (Ferrovia) railway station. The south side, Santa Croce, is close to the bus station Piazzale Roma.
Designed by Eugenio Miozzi, it was completed in 1934, replacing an Austrian iron bridge.
The Rialto Bridge (Italian: Ponte di Rialto) is one of the four bridges spanning the Grand Canal in Venice, Italy. It is the oldest bridge across the canal.
The first dry crossing of the Grand Canal was a pontoon bridge built in 1181 by Nicol Barattieri. It was called the Ponte della Moneta, presumably because of the mint that stood near its eastern entrance.
The development and importance of the_Rialto_market on the eastern bank increased traffic on the floating bridge, so it was replaced in 1255 by a wooden bridge. This structure had two inclined ramps meeting at a movable central section, that could be raised to allow the passage of tall ships. The connection with the market eventually led to a change of name for the bridge. During the first half of the 15th century two rows of shops were built along the sides of the bridge. The rents brought an income to the State Treasury, which helped maintain the bridge.
|Santa Maria della Salute|
|Punta della Dogana|
Mapping The Studio - Palazzo Grassi
The surface of Venice is constantly metamorphosing [and] painting Venice is almost like being a restorer, peeling off the layers to find the picture after picture underneath.”
Art and Science
How often people speak of art and science as though they were two entirely different things, with no interconnection. An artist is emotional, they think, and uses only his intuition; he sees all at once and has no need of reason. A scientist is cold, they think, and uses only his reason; he argues carefully step by step, and needs no imagination. That is all wrong. The true artist is quite rational as well as imaginative and knows what he is doing; if he does not, his art suffers. The true scientist is quite imaginative as well as rational, and sometimes leaps to solutions where reason can follow only slowly; if he does not, his science suffers. ~Isaac Asimov
|Installation of sculptures in main square of Cuernavaca (not finished yet)|
|Street Vendor in rural Mexico|
|Boca Chica Beach|